I think I approach painting colours on models differently to possibly everyone else, mainly because I spent a good 10 years painting a variety of wargaming figures, both historical and fantasy. This requires a completely different set of techniques and an appreciation of light and shadow. Shades are built up with several coats (as it was in real life). We also have to take into account that there is a scale effect that at its simplest states that to appear correct on a scale model a colour should be a bit lighter than the correct shade to appear correct to the mk 1 eyeball. This is a good time to be discussing this as I have just undercoated the Railcar top tonight with a spray on etching primer. Now its going to be whatever red was the right one (midland, carnation etc), which means looking at old photo's to see just what is the correct looking shade. The good news is that there does not appear to be an exact correct shade. I've been looking at colour photo's of 1960's expresses and due to aging and the fact the steam engines are dirty beasts, no two are exactly the same, and the cleanest red appears to be (to my eye) very close to Humbrol gloss 19 signal red ( Its ok, I've just put on the tin helmet and am hunkering down behind a large rock to await the incoming fire from the finescale police). Then we get to the cunning bit.
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